I am not a scientist or philosopher. I have not exhausted the depths of scientific discovery or waded into the philosophical pesterings of all the “why”s and “how”s of existence and nature and purpose. Nore am I an artist --not in any traditional sense-- but I do have a sense of what is communicated in art, even bad art, an expression of one’s self, being, perception, and experience.
One of my favorite artists is Bob Dylan; he confuses me and I have found why confusion is so admirable. He communicates, not an answer or direct interpretation of life, but rather, the confusion we all feel about war and love, beauty and suffering. Dylan, in many ways, has combined a strange string of sounds and words that seems to give a substantive realization of the pain that nurtures the human heart.Beauty is not found in an evasion of life, but rather, an embrace of it. Recently, I had been given a bit more struggle than I cared to accept; but, as I denied any control over my life and accepted the hardness and painful situation I was in, I found that my heart hurt with a poetic sadness, an aching so profound that the tears and confusion, angry and soundless screams were only icons of reality, symbols of a situation far more independent of me than I will ever understand.
Burning in the lacerations of my soul were unanswered petitions to God, submitted under full moons and atop stained linoleum. The entire package of life weighed more than I could bear. It pressed me and hurt me, clutching me so tight that the very groans of my heart caused it to tear and split, opening it in an unexpected seizure of newness, aching, and illumination.
I do not want to discredit happiness, happiness is beautiful, but it is rarely memorable. Pleasure is nice, but it did nothing for my fractured heart; it seemed only to break it more, like a cracked windshield de-iced with hot water. It would have been my ruin if I were not wisely counseled to embrace life and the pain that comes with it.
This embrace delivered me to a very personal and irresistible conclusion about the cosmos. Not one based on philosophy or research (I’m not qualified to even write on those things) but on the fact of beauty. The confusion of Dylan or the chaos of Van Gough exemplifies a creativity that derives from am empirical source, a deliberate and conscious extraction of one’s heart. No one did not write, “It’s All Over Now Baby Blue,” Dylan did. Someone painted Starry Night, it was Van Gough!I’m reminded of an anecdote about a man who believes he is dead. He is questioned by his doctor about being dead and what he knew about dead men. The doctor asked gently but deliberately, “Do dead men dream?” The man said, “I dream.”
The doctor, dissatisfied asked, “Do dead men bleed?” The man, understanding they don’t, answered, “No, they don’t bleed.” So, the doctor pricked the man’s finger with a pin; the man retracted his hand, examined it, and responded, “I guess dead men do bleed.”



How would we have reacted if Moscow had brought Western Europe into the Warsaw Pact, established bases in Mexico and Panama, put missile defense radars and rockets in Cuba, and joined with China to build pipelines to transfer Mexican and Venezuelan oil to Pacific ports for shipment to Asia? And cut us out? If there were Russian and Chinese advisers training Latin American armies, the way we are in the former Soviet republics, how would we react? Would we look with bemusement on such Russian behavior? 

